Calendar of Events

Pueblo pottery of the Southwest is one of the most beautiful and enduring artistic traditions in all of Native North America. It is a tradition rich with history—not only as an expression of cultural identity, but also to serve as a reflection of the relationship between Pueblo peoples and the influences from outside their own community. Today, there are about twenty pueblos with a total population in excess of 50,000. It is a practice flexible enough to adapt as necessary over time, while still adhering to established social norms.

Pottery-making in the American Southwest is a tradition that first emerged about two thousand years ago. Historically, it was a functional art form, passed from generation to generation over the span of centuries by people living in permanent villages known as pueblos. The pottery of each pueblo was unique and distinguished by a variety of characteristics, such as the individual clay source and shape of the vessels and designs, or lack thereof, painted onto the surface. By the latter part of the nineteenth century, these traditions were well established; and as more and more people began to travel and move to the Southwest, pottery production was quickly transformed from a functional art form (used primarily within Pueblo communities) to a highly marketable cultural expression.

Curated by Bill Mercer, this exhibition consists of seventy-four Pueblo Indian pottery vessels and supporting materials, dating from the mid-nineteenth to the mid-twenties centuries, illustrating the remarkable variety of pottery created during that very dynamic time of transformation. Some of the vessels in the exhibition are very conservative and adhere to the traditional style of a particular pueblo, while others incorporate innovations specifically designed for the retail market.

It is also during this time period that certain individuals, such as Nampeyo from Hopi and Maria Martinez from San Ildefonso, became recognized for the quality of their work. The exhibition includes outstanding examples of their work as well.

Through this exhibition, drawn exclusively from the rich collections of the Kansas City Museum and Union Station in Kansas City, Missouri, visitors will be introduced to the various styles of Pueblo pottery, as well as an understanding of the narrative behind its continued development.

McClung Museum of Natural History and Culture, 1327 Circle Park Dr on the UT campus, Knoxville, TN 37996. Hours: Monday-Saturday, 9AM-5PM; Sunday, 1-5PM. Information: 865-974-2144, http://mcclungmuseum.utk.edu

"Collage as a Strategy for..." an exhibition of work by Jean Hess.
Reception, Friday, September 20, 2013, 6:00-7:30 PM. Artist talk at 6:30 PM.

Jean Hess’s work is influenced by her studies in cultural anthropology as well as in art. She creates obscure and playful collage paintings, combining natural materials and recycled ephemera to reference dream, memory and nostalgia as well as issues of loss, particularly environmental degradation.

Solo shows include the University of Tennessee, University of North Carolina – Charlotte, Tennessee Arts Commission, University of Alabama – Huntsville, East Tennessee State University, University of North Carolina – Charlotte, Maryville College, Association for Visual Arts (Chattanooga), Callanwolde Fine Arts Center (Atlanta) and Savannah College of Art and Design. Hess’s solo show at the Huntsville Museum of Art in 2004 was accompanied by an award-winning catalogue. Her work has been included in juried or curated shows at Hunter Museum of Art (Chattanooga); Knoxville Museum of Art; William King Museum, Abingdon, VA; Huntsville Museum of Art; Evansville Museum of Art, Science and History; Carroll Reese Museum (Johnson City); Clarksville (TN) Museum and Cultural Center; McKinney Avenue Contemporary (Dallas); and University of Texas – Dallas. Hess’s mixed-media collage paintings are in numerous private and public collections, including the Huntsville Museum of Art; Evansville Museum of Arts, Science and History; University of Virginia.

Tennessee Valley Unitarian Universalist Church, 2931 Kingston Pike, Knoxville, TN 37919. Gallery hours: Monday-Thursday 9AM-5PM; Friday 9AM-4:30PM; Sunday 9AM-1PM. Information: 865-523-4176, www.tvuuc.org

African American Appalachian Arts, Incorporated (AAAA, Inc.) is hosting an Opening Ceremony for an Artist Exhibition at the Downtown African American Art Gallery. Artist Hawa Ware Johnson native of Liberia West Africa, who now resides in Knoxville, will install a Visual Art Exhibition. The exhibition will be on display in the office of African American Appalachian Arts, Inc., Suite 106 of The Emporium Building, 100 South Gay Street, Knoxville TN, 37902.

Celebrating the Ten Year Anniversary of “First Friday” - Baba Beats & Edutainment will be conducting a Drum Circle/Jam session. Feel free to bring an instrument; some hand instruments will be provided. Djembe Gear drum bags and gear will be for sale and on display. On Friday, October 4th, 2013, from 6:00pm – 8:00pm in the office of African American Appalachian Arts, Inc., Suite 106, The Emporium Building, 100 South Gay Street, Knoxville TN, 37902. A taste of Liberian cuisine will be available.

African American Appalachian Arts: 100 S. Gay Street, Suite 106, Knoxville, TN 37902. 865-217-6786, kuumbafest@gmail.com

On First Friday September 6th., “2 Many Pixels” photo gallery is proud to present a collection of photographs by photo-journalist and artist CHAD GREENE. This exhibit is a collection of Knoxville portraits, from the traditional family business owners to the fastest women of Knoxville and their motorcycles. The artist will perform a live installation during the opening, taking photographs of the public and hanging these impromptu portraits on the gallery walls. The photographs are all for sale, gallery archival prints, signed and numbered by the artists.
Hope to see you all for the opening on Friday night September 6th., 6pm to 9:30pm. The photos will remain on the walls through the months of September and October.
2 Many Pixels: 130 West Jackson Avenue, Suite 201, Knoxville, TN 37902. Hours: M-F 10-5, other times by appointment. Information: 917 532 4913 or patrice@2manypixelsphoto.com

New and recent artwork in a variety of media, by all full-time and part-time Carson-Newman University Art Faculty at the Omega Gallery at Carson-Newman University.

September 6 to October 11, 2013 with an Opening Day Reception on Friday, September 6,
3:00-5:00PM. Regular gallery hours: M-F, 8:00-4:00PM.
The Omega Gallery at Carson-Newman University, Warren Art Building, Jefferson City, TN 37760.

The Athens Area Council for the Arts is pleased to present “Climbing the Great Spiral, Poems and Prayers of Hope and Healing”, by Ellen Zahorec, to be on exhibit from September 4 – October 25, 2013, at The Arts Center, 320 North White Street, Athens, Tennessee.

Ellen Zahorec is a mixed media artist, currently residing in Chattanooga, TN. For much of the past decade, her work has focused on religious symbolism, working in acrylic, marker, colored pencil, and crayon to create the brilliantly colored detailing inherent in her art.

The public is invited to meet the artist at an opening reception at The Arts Center, Friday, September 13, 2013 from 5:30 – 7:00 p.m. Light refreshments will be served.

The Arts Center is open Monday through Friday from 10:00 a.m. till 5:00 p.m. Admission is free. For more information or directions, call The Arts Center at 423-745-8781, or visit our website at www.athensartscouncil.org.

Works of art by seven Oak Ridge artists depict historical structures, lifestyle and nature through framed prints and oil on canvas featured in the "Oak Ridge in Art" exhibition. One of the iconic images of bygone days captured by these artists is the 1920's arched Solway Bridge over the Clinch River on Hwy. 62 to join Oak Ridge to Knoxville. Built by Knox County and dedicated in 1930, the Solway Bridge was described as a 772 foot long concrete arch bridge with 20 foot roadway with 3 foot sidewalk on right. The beauty of the three arches of the Solway bridge could not compensate for a two-lane roadway only 20 feet in width, which was replaced in the 1970's by a four lane concrete bridge. To commemorate the beauty of the 1920's Solway Bridge, examine Nick Fielder's oil on canvas, Pat McWilliams Hopkins' print, Fred Heddleson's print and his series of prints recording the "Destruction of the Solway Bridge" in various stages dated from April 14, 1970 through April 15, 1979. Several 1940's buildings and activities are interpreted by the Oak Ridge artists in the museum exhibition. The Chapel on the Hill is shown in a print by Helen Guymon and an oil on artist board by Helen Bayless, which was donated to AMSE by Norman R. Miller. Of special interest is the oil on canvas works of Nick Fielder as he interprets "Gallaher Ferry, Oak Ridge, Clinch River 1943" and "Nuclear Day: Oppenheimer at Trinity, April 16, 1945". Irvin Grossman created an Alexander Inn print with its pink azalea landscape and porch spanning the outside of the first floor. Nancy Smith prepared a print of the American Museum of Science and Energy exterior. Helen Guymon developed the Oak Ridge 50th Commemorative Print "Oak Ridge Memories" with multiple images of Oak Ridge's townsite buildings, natural beauty in flora and fauna. AMSE acknowledges the exhibition loan of works by Oak Ridge artists from the collections of Bobbie Martin, Nick Fielder and Fred Heddleson. Available in the museum's Discovery Shop are Heddleson's Solway Bridge print and the Destruction of Solway Bridge print. The Discovery Shop is open Monday through Saturday from 10:30 am - 4:45 pm and Sunday 1:00 - 4:45 pm.

American Museum of Science & Energy, 300 S. Tulane Avenue, Oak Ridge, TN 37830. Hours: Monday-Saturday 9AM-5PM; Sunday 1-5PM. Information: 865-576-3200, www.amse.org

Arrowmont School of Arts and Crafts and The National Basketry Organization (NBO) are pleased to present All Things Considered VII, a biennial juried and invitational exhibition. The show is comprised of 44 baskets—14 included by invitation and 30 included by jury. The show features benchmarks in excellence in traditional and sculptural basketry that demonstrate superior technique, and original concept and design. This traveling exhibition is comprised of baskets of the highest caliber, craftsmanship and technical ability, which speaks to intricacy of expression, intimacy of design, visual excitement and communication that highlight tradition and stretch the imaginations of the viewer to new insights of the scope basketry in the 21st century.

Artists included in the exhibition are: Linda Allen, Sally Anaya, Dona Anderson, Pamela Becker, Lanny Bergner, Danielle Bodine, Lauren Bristol, Clay Burnette, Ann Coddington Rast, Donna Crispin, Sharon Dugan, David Dusina, Kathey Ervin, Sue Fedenia, George Fitzpartick, John Garrett, Polly Jacobs Giacchina, Jennifer Heller Zurick, Lissa Hunter, Christine Joy, JoAnn Kelly Catsos, Nancy Koenigsberg, Katherine Lewis, Jennifer Liston Dykema, Kari Lonning, Dorothy McGuinness, Nathalie Meibach, Marilyn Moore, Kathryn Rousso, Ann Coddington-Rast, Lois Russell, Amanda Salm, , Josh Simpson, Nadine Spier, Jo Stealey, Polly Adams Sutton, Elizabeth Whyte Schulze, Matt Tommey, Don Weeke, Peggy Wiedeman, Peggie Wilcox, and Nanette Wood.

As a complement to the cutting edge basketry on exhibit in All Things Considered VII, Arrowmont will display a variety of historic baskets from the school’s permanent collection. Many nearly 100 years old, these baskets are examples of those produced by the cottage industry that helped support mountain families around the time Pi Beta Phi Settlement School—which has evolved to become Arrowmont—was first founded in Gatlinburg.

Open Monday - Friday 8:30 am to 5:00 pm. Please call for Holiday and Weekend hours. Arrowmont School of Arts and Crafts, 556 Parkway, Gatlinburg, TN 37738. Information: 865-436-5860, www.arrowmont.org

Pivotal Moments in Civil War East Tennessee. View rare, important documents and artifacts, recounting pivotal moments in East Tennessee Civil War history, on loan from private and public collections, including Tennessee State Library and Archives, Tennessee State Museum, Andrew Johnson National Historic Site, Abraham Lincoln Museum and Library and Calvin M. McClung Historical Collection.

Wednesday, July 24, 12 Noon. Brown Bag Lecture: "That Vile Serpent, Brownlow! That Vain Historian Ramsey!" a dramatic reading by David Madden, author of Civil War novel Sharpshooter.

Wednesday, August 7, 12 Noon. Brown Bag Lecture:"Old Tennessee is a Good a Country as We Want", Black Southerners in the Union Army, 1863-1866, Paul Coker, Ph.D., lecturer, University of Tennessee.

Sunday, August 11, 2:00 PM, Film and Discussion: "Steven Spielberg, Historian? Emancipating Lincoln" a screening of Lincoln (2012) with comments by William E. Hardy, Ph.D., adjunct professor, Lincoln Memorial University.

601 S. Gay Street, Knoxville.
Hours: Monday-Friday 9 a.m.-5 p.m.; Saturday 10 a.m.-4 p.m.; Sunday 1-5 p.m. www.eastTNhistory.org
865-215-8830

Sundays at 8:00PM. Call 546-8442.
17th-18th century dancing with live music. A performance group: newcomers are welcome. Rapper sword and morris dance teams. Free.