Calendar of Events

Knoxville Children’s Theatre will present “The Haunting of Hill House” a live theatre version of Shirley Jackson’s 1959 novel, especially adapted for young people, ages 11 and older, and families. The play will be performed October 28 through November 13, Thursdays and Fridays at 7 PM; Saturdays at 1 PM and 5 PM; Sundays at 3 PM. (There is no 5 PM performance on Oct. 29.)

Three strangers volunteer to accompany Dr. John Montague in an investigation of Hill House, a mysterious mansion with a reputation for being haunted. While the four are there, supernatural events drives them to the edge of sanity and pushes one toward a terrible end. The novel was a 1959 Finalist for the National Book Award, and Stephen King calls the book “one of the finest terror novels.” Jackson is widely known to teenage readers for her macabre short story “The Lottery.”

The play is performed by 10 talented young actors, from ages 14 to 18.

Knoxville Children's Theatre, 109 E. Churchwell Avenue, Knoxville, TN 37917. Information: 865-208-3677, www.childrenstheatreknoxville.com.

A satirical emo rock musical and dramatized retelling of the controversial presidency of Andrew Jackson. "Bloody Bloody Andrew Jackson," written by Michael Friedman, discusses the role of populism in the actions of America's seventh president and draws parallels to today's political climate. The play is for mature audiences and is not suitable for children. There are clear parallels to this year's election cycle -- from the themes of populism and its political consequences to elections that feature the establishment versus the outsider. The play broaches topics like the 1830 Indian Removal Act and Jackson's debated marriage to his wife, Rachel.

Performance dates and times are 7:30 p.m., Oct. 28-29 and Nov. 4-5, and 2 p.m., Oct. 30 and Nov. 6. The performance on Sunday, Oct. 30, will be followed by a panel discussion on the play's themes. The panel will feature Wingerter; University of Tennessee professor Daniel M. Feller, caretaker of the Jackson papers, and a representative of the Cherokee Nation. The performance will feature guest musical director Michael Shirtz, a jazz musician and composer and faculty member at Terra State Community College in Ohio.

Tickets are $14 for adults or $12 for seniors or students. Clayton Performing Arts Center, Hardin Valley Campus of Pellissippi State: 10915 Hardin Valley Road, Knoxville, TN 37932. Information/tickets: 865-694-6405, www.pstcc.edu/arts

Set in Reagan-era New York, the play follows forty-eight hours in the lives of three wayward adolescents on the cusp of adulthood. Shy 19-year-old Warren has stolen $15,000 from his abusive father and turns to his bullying friend Dennis to hide both him and the money. Dennis then hatches a plan to score a major drug deal with the money, as well as to help romance Jessica, the girl Warren pines for. By turns funny, caustic and compassionate, it is a snapshot of the moment when many young people go out into the world, far less effectual than they could possibly imagine.

This production contains strong language and adult themes and is recommended for mature audiences only.

A Pay What You Wish Preview performance will be held Wednesday, October 26, a talk back with the cast will take place Sunday, November 6 following the 2:00 pm matinee, and an Open Captioned performance is on Sunday, November 13 at 2:00 pm.
Lab Theatre, 1714 Andy Holt Ave on the UT campus, Knoxville, TN 37996. For information: 865-974-5161, www.clarencebrowntheatre.com. For tickets: 865-974-5161, 865-656-4444, www.knoxvilletickets.com

Art exhibit by Thomas Riesing and Koichi Yamamoto

Opening reception November 18 from 5 to 8:00 p.m.; artists’ talks at 6:30 p.m.

Thomas Riesing: These artworks, produced from 2007 to the present, utilize drawing not only to develop ideas before and during the painting process, but also as independent works of art. The drawing materials include graphite, silver point, and ballpoint pen. Riesing prefers sketching with ballpoint because of its fluidity and its unique ways of developing relative densities and layers of information. The graphite drawings allow for erasing and reduction, while the silver point drawings require a more deliberate, subtle approach to image and surface development. The places represented include East Tennessee and the Smoky Mountains, the Pocono Mountains and Delaware River Gap, and the forests along the coast of Oregon. Riesing responds to the light and space between and beyond the persistent verticality of the trees.

Koichi Yamamoto: Layers of line and folds within the sediment provide a sense of connection in Yamamoto’s crafted illusion of landscape. The significance of each moment, a fraction of time, is not lost in the grand scale of the completed work. Removing copper from the plate surface, he begins to cultivate a specific landscape. Multiple prints from multiple plates provide maps of the excavation, each image a record of past events. Using these samples, he discovers a significant composition. In contrast, the monotype is transparent; there are no interruptions in form as it appears. It is a seemingly tangible moment and like tectonic plates, it is dynamic and in constant motion.

Free and open to the public. Tennessee Valley Unitarian Universalist Church, 2931 Kingston Pike, Knoxville, TN 37919. Gallery hours: M-Th 10-5, Su 10-1. Information: 865-523-4176, www.tvuuc.org

Back for her third showing at The Tomato Head, Ruth Allen skillfully crafts vivid drawings and paintings featuring nature’s flowers and wildlife. Since her last visit from Athens, Georgia, Ruth has had two paintings selected for juried shows and currently has a painting showing at ArtPrize in Grand Rapids, Michigan.

Her work will be on view at Market Square from October 2 through November 7 and will then move to the West Knoxville Gallery on November 7 through December 5. For more artist information, please visit The Tomato head blog: http://thetomatohead.com/ruth-allen-featured-artist/ or https://www.etsy.com/shop/100tinybluebirds

Tomato Head, 12 Market Square (865-637-4067) and 7240 Kingston Pike, Suite 172 (865-584-1075), in Knoxville.

In honor of Knoxville’s 225th anniversary, this exhibition explores the city’s heritage as seen through archaeological discoveries in the “Heart of the Valley.” Using historic artifacts unearthed in and around Knoxville, along with historical images, maps, documents, and oral histories, the exhibition tells the story of Knoxville’s development from a frontier settlement to an industrialized city.

Opening reception for members on Fri Sep 16, 5-7 PM.

McClung Museum of Natural History and Culture, 1327 Circle Park Dr on the UT campus, Knoxville, TN 37996. Hours: Monday-Saturday, 9AM-5PM, Sunday, 1-5PM. Information: 865-974-2144, http://mcclungmuseum.utk.edu

Please join us for our new exhibition! Opening reception Fri Sep 2, 5-7 PM in the main lobby of the consulate office, which hosts modern art from both established and emerging Polish artists. Please RSVP: drpienkowski@gmail.com or 865-584-4112

Marcin Kowalik’s paintings are dominated by abstract forms and empty spaces while featuring vibrant colors, illusions and a precision of lines and geometric structures. His work is nonanthropocentric – human figures rarely appear, and when they do, they are faceless, devoid of identity. Kowalik’s perception of reality dictates his work. His gaze is the architect’s – registering solids, enriching them with vibranace and a dose of artful spontaneity which gives rise to his novel, uncanny universe. For Kowalik, Picasso is a master of augmented reality. Kowalik is primarily interested in the Cubist period in the work of the Spanish artist, in the composition of spatial forms and their fragmentation. One of Picasso’s most fascinating aspects is his extraordinary inventiveness. Paintings, which appear shattered into prismatic fragments and recomposed without conformity to their initial arrangement, can be ‘read’ from the foreground, followed along the path delineated by the painter and, suddenly, apprehended not from the front, but sidewise.

In 1944, Pablo Picasso joined the Communist Party. It seems to have provided him with a model of victory and strength which he begins to identify with the Communists. His joining the Party has obvious roots in his painting, which he considered to be more than a mere source of pleasure. Line and color were his arms, which he wielded in his revolutionary fight. He confided in Communism, enchanted with the specious beauty of its motivating ideals, but was even more partial to the company he could find in its circles. The stage in the life of the celebrated cubist sparked Marcin Kowalik’s new cycle. The cycle on a (wo)man at work. Each of the thirty canvases represents a person with their occupational attribute. The different quality of the paintings in “A Tale of the Working (Wo)Man” cycle arises from the overload of minimalism, the pinnacle of which was reached by Kowalik in his work on “Convergents”, one of his most recent projects.

Here, he has sought chaos – introduced into his art by people, as various and volatile as the nature of painting. Despite his desire to renounce his creative asceticism, Kowalik’s human is still confined by the minimalist formal limits. To demonstrate a human form, it is sufficent to simply sketch an eye, the shape of a head and, immediately, a face outline becomes recognizable. This is the machination of the human mind – symmetrical points are sufficient for our imagination to fill in the missing parts. Apparently, the human has finally moved to the center of the young painter’s field of interest. However, these are mere appearances. Kowalik does not stray far from home and attempts to misplace the human figure, offering its simplest possible representation. He tells the tale of a human, but his tale is extremely complex and multi-faceted. He posed the challenge and has risen to it himself – undertaking the effort of organizing the experiment. He invited over a dozen of amateur painters to cooperation on committing to canvas their image of an occupation, inspired by the output of the author of “The Weeping Woman”. Website: www.kowalik.art.pl

Viewing hours M-F 8-5, Sat 8-11:30 AM. At the Center for Polish Culture | Pienkow Art Gallery, 7417 Kingston Pike, Knoxville, TN 37919. http://www.consulpoland.com/index.php/center-of-polish-culture/

The Knoxville Museum of Art announces Romantic Spirits: Nineteenth Century Paintings of the South from the Johnson Collection, featuring more than thirty 19th-century masterworks from the renowned Spartanburg, South Carolina-based collection.

The paintings in Romantic Spirits present an evocative glimpse into nineteenth-century Southern life, and reveal the importance of oral tradition and “a sense of place” in the development of the Romantic Movement in the South. The exhibition seeks to present a balanced view of how Romanticism evolved in the North and the South, the genre’s ties to Europe, and how culture, customs, education, and travel influenced each artist. It also reveals connections between featured painters and their contemporaries, specifically authors and poets such as Harriet Beecher Stowe, Henry Wadsworth Longfellow, among others. One of the highlights of the exhibition is a masterful still life of peaches by Knoxville artist Lloyd Branson.

The public is invited to an exhibition preview reception on Thursday, August 25 from 5:30-7:30pm.

Knoxville Museum of Art, 1050 World's Fair Park Dr, Knoxville, TN 37916. Hours: Tuesday-Saturday, 10AM-5PM, Sunday, 1-5PM. Information: 865-525-6101, www.knoxart.org

Get out and see some live music!
Open Chord Music, 8502 Kingston Pike, Knoxville, TN 37919. Information: (865) 281-5874 or http://www.openchordmusic.com/live-music-venue

The Knoxville Association of Bridge Clubs is offering an in depth, 17 week course on Duplicate Bridge, with a focus on learning the modern “2 Over 1” bridge system. Taught by certified instructors, these lessons are a fun and informative way to learn the basics of modern bridge. The cost is $5 per lesson (the first 2 lessons are free).

Two class sessions are offered: Sundays at 1:30 PM (beginning July 17) or Tuesdays at 6:00 PM (beginning July 19). You are welcome to attend either or both weekly sessions. Bring a partner or we can provide one for you.

Classes will be conducted at the Knoxville Bridge Center, located at 7400 Deane Hill Drive, Knoxville TN 37919. Contact Jo Anne Newby at (865} 539-4150 or email KnoxvilleBridge@gmail.com.

A world-class visual arts exhibition of large-scale outdoor sculpture which enliven downtown Knoxville, the McGhee Tyson Airport and Oak Ridge. Sculpture artist Isaac Duncan III, a Brooklyn, New York native who currently resides in Chattanooga, Tennessee served as the Juror for the 2016-2017 exhibition. #AIPP

Dogwood Arts: 865-637-4561 www.dogwoodarts.com

History, Food, & Fun! Enhance your time in Historic Downtown with Knoxville’s Award Winning, Original Tour! Enjoy a complete Knoxville experience in just a few hours – enjoy tastings of specially selected dishes from some of Knoxville’s best new and iconic restaurants featuring local, regional, Southern & Appalachian cuisine; add pairings of beer from local and craft breweries, wine flights, craft cocktails, Tennessee whiskey, or even moonshine; hear the history of the city and notable buildings. A must for locals and visitors!

Reservations Required. Purchase Tickets at www.knoxvillefoodtours.com or call 865-201-7270.