Calendar of Events

Tri-Star Arts is pleased to announce the artist roster, curators, and highlight weekend dates for the inaugural Tennessee Triennial for Contemporary Art: RE-PAIR, opening January 27, 2023 and on view through May 7, 2023. The recent changes and movements in the world inform our vision and the galvanizing spirit that centers on the rich history of the arts in Tennessee as a means to engage excellence in contemporary art.

Visual art offers a tool towards a common language fostering dialogue across communities, around the state, the country and internationally. The Tennessee Triennial serves as an experience to help us process this moment and propel us forward. It is a geographically fluid conversation that engages people of all ages and backgrounds.

The Tennessee Triennial has chosen a statewide model that is set apart and unprecedented. Curators from institutions in Memphis, Nashville, Knoxville, and Chattanooga have been invited to respond to the theme of RE-PAIR, authored by Consulting Curator, Dr. María Magdalena Campos-Pons. This horizontal approach allows for each curator to be active in selecting participating artists. The Tennessee Triennial is a collective endeavor that emphasizes Tennessee’s contemporary art community while including national and international perspectives.

The participating venues along with their curators and artists may be found at https://www.tennesseetriennial.org/

KNOXVILLE
Big Ears Festival (Curator: Rachel Milford)
Lonnie Holley
Knoxville Museum of Art (Curators: Kelsie Conley and Stephen Wicks)
Willie Cole
Katie Hargrave & Meredith Laura Lynn
Bessie Harvey
Lonnie Holley
Kahlil Robert Irving
Suzanne Jackson
Mary Laube
Annabeth Marks
Rosemary Mayer
Althea Murphy-Price
Betye Saar
Faith Wilding
Tri-Star Arts (Curator: Brian R. Jobe)
Kenturah Davis
Rubens Ghenov
Hank Willis Thomas

Catron Gallery, R. Jack Fishman Library
Jason Brown is an associate professor of Art at the University of TN, Knoxville. His work explores the impact that extractive industries such as mining, oil and gas have on the ecosystems and watersheds of Appalachian landscapes. Coal mining and mountaintop removal are especially compelling subjects for his sculptures and installations, which challenge viewers to engage in a civic dialogue about individuality, community and place.

Walters State Community College, 500 S. Davy Crockett, Morristown
www.ws.edu

Featuring Steve Olson's first solo photography show!
Reception on Sun Jan 22, 2-4 PM

The Center is the second building on the right when you turn into Rarity Bay. The Center is open Monday thru Friday 9 to 4. It is best to call ahead because the Center often has meetings or events going on: 423-884-3800

150 Rarity Bay Pkwy, Vonore, TN 37885

JERRY DROWN WOOD STUDIO GALLERY | JANUARY 2 – MARCH 3, 2023

Rob Millard-Mendez was born in a New England textile town with an incredible industrial past. From an early age, he was enthralled with mechanics, motion, and the wonders created by practical, no-nonsense makers.

“The primary aim in my work is to illustrate and analyze concepts that I find enthralling. The resulting objects deal on many levels with formal and conceptual issues. In my work, I hope to show an equal blending of art, craft, and the presentation of engaging ideas in intriguing ways. The works are meant to involve the viewer visually and intellectually. My sources include mythology, science, history, and American Folk Art (among others). The objects I make reflect the sensibilities of a person steeped in New England practicality who (for better or worse) ended up learning about things like art history, existentialist philosophy, and post-structuralist theory. Some of my sculptures are based on themes from classical mythology viewed through the lens of contemporary events. I have a strong interest in how mythemes surface and re-surface throughout human history in many varied (but related) guises. Craft is an important aspect of my work. I identify strongly with the idea of the artist as a kind of Daedalean hybrid: artist/artisan/shaman. Visual art, like mythology, has the power to compel us with its resonant imagery. It is my hope that my works will, in some small way, enrich the viewer and make her/him see the world as slightly more tragic or laughable (or possibly both at the same time).”

Rob’s work has been shown in over 500 exhibitions in all fifty states as well as internationally. He has had many solo exhibitions and he has received over 120 awards for his art and his teaching. Rob’s sculptures are in over sixty private and public collections and images of his work have appeared in Sculpture Magazine, American Craft, two Lark Books, Art New England, and many other publications. Rob is a Professor of Art in the Art and Design Department at the University of Southern Indiana in Evansville, Indiana. He teaches 3-D Design, Woodworking, and Sculpture. He received an MFA in Sculpture from UMASS Dartmouth. https://www.arrowmont.org/story-sticks/

Arrowmont School of Arts and Crafts, 556 Parkway, Gatlinburg, TN 37738. Information: 865-436-5860, https://www.arrowmont.org

JANUARY 2 – MARCH 3, 2023 | GEOFFREY A. WOLPERT GALLERY

Lauren Kalman is a visual artist based in Detroit, whose practice is rooted in contemporary craft, sculpture, video, photography and performance. Through performances using her body, her work investigates constructions of the ideal and the feminine and their impacts on self-image and identity, the politics of craft, and the built environment.

“I use assertive and powerful performances of the female body in relationship to wearable objects, functional objects, and environments. I make objects and then use those objects in performance videos and photographs. My body is the site for these performative interactions. I use a variety of methods in my work including traditionally fabricated metal objects, textiles, beading, and ceramics folded together with installation, 3D printing, computer-controlled objects, performance, photography, and video. Over the years, my work has transitioned from jewelry as the format of my work, to adornment and decoration as a subject of my work. I work with craft materials as a strategic choice, because of their strong tie to the body through their proximity to bodies through jewelry, cutlery, vessels, hygiene implements, and clothing. Devices for Filling a Void, combines a jewelry vocabulary with forms reminiscent of reconstructive surgical devices and body-like growths. Rather than presenting or holding the body in an ideal position, they distort the body through actions that are sometimes grotesque or violent. The objects literally fill the voids of the body, but the forms also imply a psychological filling of emotional or erotic voids. The work points to ideas about women being incomplete or lacking, requiring augmentation by men, objects, dress, makeup and adornment.”

Raised in Cleveland, Ohio, Kalman completed her MFA in Art and Technology from the Ohio State University and earned a BFA with a focus in Metals from Massachusetts College of Art. https://www.arrowmont.org/devices_kalman/

Arrowmont School of Arts and Crafts, 556 Parkway, Gatlinburg, TN 37738. Information: 865-436-5860, https://www.arrowmont.org

Every Saturday, December 3-17 and January 21 – March 25, 2023*
10 am – 2 pm
* NO WINTER FARMERS’ MARKETS ON 12/24/2022, 12/31/2022, 1/7/2023, OR 1/14/2023

2022 – 2023 Location: Outdoors on historic Market Square in the heart of downtown Knoxville

Nourish Knoxville’s Winter Farmers’ Market is an open-air farmers’ market located on Market Square in the heart of downtown Knoxville. Everything at the WFM is grown or made by our vendors in the East Tennessee region. Products vary by the seasons and include produce, eggs, honey, herbs, pasture-raised meat, plants, bread, baked goods, salsas, coffee, artisan crafts, and more!

Public restrooms are available on the ground floor of the Market Square Garage.
https://www.nourishknoxville.org/winter-market/

Our relationship to moving images is constantly evolving. Amid the global COVID-19 pandemic, for example, our use of–and reliance on–streaming services to access Hollywood blockbusters not only changed how we watch movies but also disrupted traditional models for financing and distributing such productions.

How did our relationship with moving images begin? What technological and cultural events sparked our interest in motion pictures as entertainment? And what role has East Tennessee and its people had in moviemaking?

Lights! Camera! East Tennessee!, a new feature exhibition at the East Tennessee History Center, answers these questions by chronicling Knoxville’s contributions to film from the promotion of Thomas Edison’s Kinetoscope in 1895 to its use as a location for major productions currently in development. At the heart of the story is 35 mm film, shown both in urban theaters and suburban cineplexes and shot by itinerant filmmakers, documentarians, industrial filmmakers, and news reporters. Multiple screens featuring highlights from these genres anchor the exhibition.

Equally intriguing are the stories of how Knoxvillians made Hollywood history. Learn about Clarence Brown, a graduate of Knoxville High School and the University of Tennessee, who became one of MGM’s most prominent directors. And see why James Agee, known to us today as a Pulitzer Prize-winning novelist, was better known as a film critic and screenwriter during his life.

Lights! Camera! East Tennessee! will also spotlight the numerous actors from across East Tennessee who became Hollywood A-listers and the variety of films that were shot in East Tennessee, including A Walk in the Spring Rain (1970) and That Evening Sun (2009), both of which premiered in Knoxville.

East Tennessee Historical Society, 601 S. Gay Street, Knoxville, TN 37902. Museum hours: M-F 9-4, Sa 10-4, Su 1-5. Information: 865-215-8824, www.eastTNhistory.org/lights-camera