Calendar of Events

JANUARY 30 – MARCH 3, 2023 | RECEPTION: FEBRUARY 17, 2023, 5:30 – 8:30 PM
Arrowmont School of Arts and Crafts invites artists 18 and older living or working in Sevier County, TN to submit works for consideration for the 21st Sevier County Juried Biennial. The biennial is a juried, mixed-media art exhibition presented by Arrowmont to recognize and foster artists in the rich region of Sevier County, who are the bedrock of the economy and foundation of our community.

JUROR: KRENESHIA WHITESIDE MCGEE, AKA KREN THE CURATOR
Kreneshia Whiteside-McGee, a Tennessee native, began curating in 2015 as a university senior. She served as chief curator at the Association for Visual Arts and works with numerous artists, galleries, and museums advocating for the arts and fostering culture in communities. Her portfolio includes exhibition development, creative direction/consultation, and art handling throughout the U.S. and abroad.

https://www.arrowmont.org/visit/events/21st-sevier-county-biennial-juried-exhibition/

Arrowmont School of Arts and Crafts, 556 Parkway, Gatlinburg, TN 37738. Information: 865-436-5860, https://www.arrowmont.org

Opening reception will be Sunday, January 29th from 2—4 PM with a gallery talk at 1:30 PM.

Women’s Work series will celebrate sunlight, moonbeams, and light of all types as well as new ideas, truths, and perhaps epiphanies! Light takes many forms and we are asking women in our region to interpret the phrase, “ I see the light!” in a new or well loved piece.

At Oak Ridge Art Center, 201 Badger Avenue, Oak Ridge, TN 37830. Hours: Tu-F 9-5, Sa-M 1-4. Information: 865-482-1441, www.oakridgeartcenter.org

Tri-Star Arts is pleased to announce the artist roster, curators, and highlight weekend dates for the inaugural Tennessee Triennial for Contemporary Art: RE-PAIR, opening January 27, 2023 and on view through May 7, 2023. The recent changes and movements in the world inform our vision and the galvanizing spirit that centers on the rich history of the arts in Tennessee as a means to engage excellence in contemporary art.

Visual art offers a tool towards a common language fostering dialogue across communities, around the state, the country and internationally. The Tennessee Triennial serves as an experience to help us process this moment and propel us forward. It is a geographically fluid conversation that engages people of all ages and backgrounds.

The Tennessee Triennial has chosen a statewide model that is set apart and unprecedented. Curators from institutions in Memphis, Nashville, Knoxville, and Chattanooga have been invited to respond to the theme of RE-PAIR, authored by Consulting Curator, Dr. María Magdalena Campos-Pons. This horizontal approach allows for each curator to be active in selecting participating artists. The Tennessee Triennial is a collective endeavor that emphasizes Tennessee’s contemporary art community while including national and international perspectives.

The participating venues along with their curators and artists may be found at https://www.tennesseetriennial.org/

KNOXVILLE
Big Ears Festival (Curator: Rachel Milford)
Lonnie Holley
Knoxville Museum of Art (Curators: Kelsie Conley and Stephen Wicks)
Willie Cole
Katie Hargrave & Meredith Laura Lynn
Bessie Harvey
Lonnie Holley
Kahlil Robert Irving
Suzanne Jackson
Mary Laube
Annabeth Marks
Rosemary Mayer
Althea Murphy-Price
Betye Saar
Faith Wilding
Tri-Star Arts (Curator: Brian R. Jobe)
Kenturah Davis
Rubens Ghenov
Hank Willis Thomas

The inaugural Tennessee Triennial is a unified multi-site, multi-city exhibition that promotes contemporary visual art as a tool to foster constructive dialogue across communities, the state, the country, and internationally. The 2023 theme and core concept of the inaugural Tennessee Triennial is “RE-PAIR,” set forth by Consulting Curator María Magdalena Campos-Pons as the guiding curatorial concept for all exhibiting venues participating in the Tennessee Triennial.

Responding to the Triennial RE-PAIR theme about art designed “To heal, suture, and recompose fractured bodies”, “re-pair, patch, rebuild spirits, bodies, cities, political institutions, economic relationships,” the Knoxville Museum of Art presents works emphasizing the transformative power of art to propose new solutions to recent global discord.

The KMA’s Triennial presentation features a thought-provoking selection of objects created by a diverse, intergenerational slate of 13 international artists from across the U.S.: Willie Cole, Bessie Harvey, Lonnie Holley, Katie Hargrave & Meredith Laura Lynn, Kahlil Robert Irving, Suzanne Jackson, Mary Laube, Annabeth Marks, Rosemary Mayer, Althea Murphy-Price, Betye Saar, and Faith Wilding.

The exhibited works address a broad range of conceptual concerns ranging from the intersection of the personal and the political, to environmental, cultural, and spiritual. They express artists’ deep interest in material as a means of interpreting and amplifying these concerns. They are touched and pressed, deconstructed, constructed and made anew. They embody histories that sensitively embrace contradiction and complication, and that challenge diverse audiences to look both forward and backwards towards “new sites of encounters with yet undefined edges, borders and territories” in search of RE-PAIR.

A major statewide contemporary art event organized by Tri-Star Arts. Consulting Curator: María Magdalena Campos-Pons.

Knoxville Museum of Art, 1050 World's Fair Park, Knoxville, TN 37916. Hours: Tu-Sa 10-5, Su 1-5. Information: 865-525-6101, www.knoxart.org

Catron Gallery, R. Jack Fishman Library
Jason Brown is an associate professor of Art at the University of TN, Knoxville. His work explores the impact that extractive industries such as mining, oil and gas have on the ecosystems and watersheds of Appalachian landscapes. Coal mining and mountaintop removal are especially compelling subjects for his sculptures and installations, which challenge viewers to engage in a civic dialogue about individuality, community and place.

Walters State Community College, 500 S. Davy Crockett, Morristown
www.ws.edu

The McClung Museum of Natural History and Culture is proud to announce the special exhibition, The Sculpture of William Edmondson: Tombstones, Garden Ornaments and Stonework, in partnership with Cheekwood Estate & Gardens. The exhibition is sponsored by the University of Tennessee Division of Diversity and Engagement and will run from January 13 to May 14, 2023.

The exhibition reexamines and recontextualizes the life and work of African American artist William Edmondson (1874–1951). Edmondson is the most significant sculptor to emerge from Tennessee during the 1930s and 40s and remains one of the leading American artists of the twentieth century.

This is the first large-scale museum exhibition of the artist’s career in over twenty years. During Edmondson’s life, he was well known for his yard art, including whimsical birdbaths, fanciful "critters," sculptures of everyday people, and grave markers he carved for African American families.
https://mcclungmuseum.utk.edu/2022/12/13/mcclung-museum-to-feature-one-of-the-most-significant-collections-of-tennessee-artist-william-edmondson-in-new-exhibition/

McClung Museum of Natural History and Culture, 1327 Circle Park Dr on the UT campus, Knoxville, TN 37996. Information: 865-974-2144. Hours: Tuesday through Saturday 9 a.m.–5 p.m. and Sunday 12–4 p.m.

Featuring Steve Olson's first solo photography show!
Reception on Sun Jan 22, 2-4 PM

The Center is the second building on the right when you turn into Rarity Bay. The Center is open Monday thru Friday 9 to 4. It is best to call ahead because the Center often has meetings or events going on: 423-884-3800

150 Rarity Bay Pkwy, Vonore, TN 37885

Hop on stage at Singer/Songwriter Open Mic Night on Wednesdays, 7-9 PM!

Doors open at 4:00PM and sign-ups start at 6:00PM. See the beertender to be added to the queue.

Admission is free!
Geezers Brewery, 225 E. 5th Ave., Knoxville
https://www.geezersbrewerytn.com/events

JERRY DROWN WOOD STUDIO GALLERY | JANUARY 2 – MARCH 3, 2023

Rob Millard-Mendez was born in a New England textile town with an incredible industrial past. From an early age, he was enthralled with mechanics, motion, and the wonders created by practical, no-nonsense makers.

“The primary aim in my work is to illustrate and analyze concepts that I find enthralling. The resulting objects deal on many levels with formal and conceptual issues. In my work, I hope to show an equal blending of art, craft, and the presentation of engaging ideas in intriguing ways. The works are meant to involve the viewer visually and intellectually. My sources include mythology, science, history, and American Folk Art (among others). The objects I make reflect the sensibilities of a person steeped in New England practicality who (for better or worse) ended up learning about things like art history, existentialist philosophy, and post-structuralist theory. Some of my sculptures are based on themes from classical mythology viewed through the lens of contemporary events. I have a strong interest in how mythemes surface and re-surface throughout human history in many varied (but related) guises. Craft is an important aspect of my work. I identify strongly with the idea of the artist as a kind of Daedalean hybrid: artist/artisan/shaman. Visual art, like mythology, has the power to compel us with its resonant imagery. It is my hope that my works will, in some small way, enrich the viewer and make her/him see the world as slightly more tragic or laughable (or possibly both at the same time).”

Rob’s work has been shown in over 500 exhibitions in all fifty states as well as internationally. He has had many solo exhibitions and he has received over 120 awards for his art and his teaching. Rob’s sculptures are in over sixty private and public collections and images of his work have appeared in Sculpture Magazine, American Craft, two Lark Books, Art New England, and many other publications. Rob is a Professor of Art in the Art and Design Department at the University of Southern Indiana in Evansville, Indiana. He teaches 3-D Design, Woodworking, and Sculpture. He received an MFA in Sculpture from UMASS Dartmouth. https://www.arrowmont.org/story-sticks/

Arrowmont School of Arts and Crafts, 556 Parkway, Gatlinburg, TN 37738. Information: 865-436-5860, https://www.arrowmont.org

JANUARY 2 – MARCH 3, 2023 | GEOFFREY A. WOLPERT GALLERY

Lauren Kalman is a visual artist based in Detroit, whose practice is rooted in contemporary craft, sculpture, video, photography and performance. Through performances using her body, her work investigates constructions of the ideal and the feminine and their impacts on self-image and identity, the politics of craft, and the built environment.

“I use assertive and powerful performances of the female body in relationship to wearable objects, functional objects, and environments. I make objects and then use those objects in performance videos and photographs. My body is the site for these performative interactions. I use a variety of methods in my work including traditionally fabricated metal objects, textiles, beading, and ceramics folded together with installation, 3D printing, computer-controlled objects, performance, photography, and video. Over the years, my work has transitioned from jewelry as the format of my work, to adornment and decoration as a subject of my work. I work with craft materials as a strategic choice, because of their strong tie to the body through their proximity to bodies through jewelry, cutlery, vessels, hygiene implements, and clothing. Devices for Filling a Void, combines a jewelry vocabulary with forms reminiscent of reconstructive surgical devices and body-like growths. Rather than presenting or holding the body in an ideal position, they distort the body through actions that are sometimes grotesque or violent. The objects literally fill the voids of the body, but the forms also imply a psychological filling of emotional or erotic voids. The work points to ideas about women being incomplete or lacking, requiring augmentation by men, objects, dress, makeup and adornment.”

Raised in Cleveland, Ohio, Kalman completed her MFA in Art and Technology from the Ohio State University and earned a BFA with a focus in Metals from Massachusetts College of Art. https://www.arrowmont.org/devices_kalman/

Arrowmont School of Arts and Crafts, 556 Parkway, Gatlinburg, TN 37738. Information: 865-436-5860, https://www.arrowmont.org

Year-round, join us Saturdays at 11:00 for our weekly slow ride through different Knoxville neighborhoods as we explore our city via bike. Although distances and routes vary, most rides last for 60-75 minutes (4-8 miles) and potentially include a stop at various landmarks, sites of interest, and even other breweries!

Please note that rides will be cancelled in the event of inclement weather to ensure the safety and comfort of all participants. (If it's raining or snowing, we'll cancel the ride. When the temperature is below about 40 or so at ride time, it's usually too cold for our group to want to ride.) We'll announce any cancellations on our Instagram feed at https://www.instagram.com/printshopbeer/

https://www.printshopbeer.co/events

Landfall Press: Five Decades of Printmaking celebrates the fiftieth anniversary of one of the country’s most renowned printers-publishers. Founded in 1970 by Jack Lemon, Landfall Press played a key role in expanding the geography of the American postwar print renaissance. In the late 1950s and 1960s, new printmaking workshops, including Universal Limited Art Editions, Tamarind Lithography Workshop, and Gemini G.E.L., opened on the East and West Coasts. Jack Lemon helped bring this printmaking revival to the Midwest. He learned lithography at the Kansas City Art Institute, then later established and directed lithography workshops there in 1965 and at the Nova Scotia College of Art and Design in 1968. He opened Landfall Press in Chicago, effectively creating a new hub for printmaking that attracted artists from around the country.

Landfall Press is known for its outstanding innovation and exacting technical standards. It specializes in lithography but has also produced etchings, woodcuts, books, and multiples that have often redefined what a print can be. As a publisher, Lemon has collaborated with a diverse range of international artists, introducing many of them to the process of printmaking. Landfall operated out of Chicago for thirty-five years and, in 2004, relocated to Santa Fe, New Mexico, where it continues to serve new generations.

Knoxville Museum of Art, 1050 World's Fair Park, Knoxville, TN 37916. Hours: Tu-Sa 10-5, Su 1-5. Information: 865-525-6101, www.knoxart.org. Admission and parking are free.