Calendar of Events

Ken Anderson is a professor of taxation in the College of Business at UT. He enjoys painting diverse subjects in various mediums and gravitates to landscapes with a “strongly defined horizon.”

Lisa Kurtz received a Masters Degree from the University if Louisville and has been a functional potter for over 38 years. Her work is influenced by nature, early Japanese Jomon pots and Greek Minoan pottery.

6500 Northshore Drive, 865-584-3957 or www.wpcknox.org
Hours: Monday thru Friday, 9AM to 4PM

While ancient Roman coins usually display emperors, a surprising number depict female members of the imperial family, particularly empresses. Coins are powerful propaganda used to advance political ideals and reinforce social mores. Closer observation of these coins reveals a tension between Roman society’s expectations for women and the reality some created for themselves.

In ancient Rome, women had no formal political role and were not allowed to vote or hold public office. They were expected to devote themselves to their family and oversee the domestic sphere. Depictions of goddesses on coins highlight this feminine ideal. Women who stepped outside gender norms, especially empresses who gained informal power, were seen as a threat to social and political order. Julia Domna is one such woman. She exerted political influence over two consecutive reigning emperors—her husband, Septimius Severus, and son, Caracalla—and jump started a dynasty of influential imperial women from the East.

McClung Museum of Natural History and Culture, 1327 Circle Park Dr on the UT campus, Knoxville, TN 37996. Hours: Monday-Saturday, 9AM-5PM, Sunday, 1-5PM. Information: 865-974-2144, http://mcclungmuseum.utk.edu

A reception will take place on Friday, January 5, from 5:00-9:00 PM as part of First Friday activities downtown to which the public is invited to meet the artists and view the artwork.

Genevieve S. Byrd: Pour L'amour des Chevaux in the lower gallery
Genevieve S. Byrd specializes in equestrian paintings and will display artwork created with pencil, oil, watercolor and acrylic in this solo exhibition. An avid equestrian herself, Byrd has worked with horses for her entire life. As a child, she rode on her family farm and competed for East TN Hunter/Jumper Association, and then she continued to ride for the Intercollegiate Equestrian Team at the University of Tennessee. She received her Bachelor of Fine Arts with a concentration in Drawing from UT-Knoxville, graduating in 1999. Specializing in pastel, watercolor and oil paint, her works include a variety of mediums. Some of her current work is featured in veterinary hospitals, art galleries, restaurants, private collections and various businesses throughout Georgia, Maryland, California and Tennessee.

Genevieve S. Byrd lives in Maryville where she teaches private art lessons and works as an independent artist. Her paintings capture the boldness, silent power and spirit of the horse. Whether working abstractly or in realism, Genevieve hopes to allow the art critic to feel the emotional reverence, power and energy of this amazing creature. For more information, please visit https://www.facebook.com/genevievesartbarn.

On display at the Emporium Center, 100 S. Gay Street, in downtown Knoxville. Exhibition hours are Monday-Friday, 9:00 AM - 5:00 PM. Information: (865) 523-7543 or www.knoxalliance.com.

A reception will take place on Friday, January 5, from 5:00-9:00 PM as part of First Friday activities downtown to which the public is invited to meet the artists and view the artwork.

Dr. Martin Luther King, Jr. Commemorative Commission Gallery of Arts Tribute in the Balcony gallery
The MLK Gallery of Arts Tribute will kick-off the 2018 King Week Celebration (January 10-15, 2018). The Dr. Martin Luther King, Jr. Commemorative Commission is partnering with the Arts & Culture Alliance of Greater Knoxville to provide this annual exhibition. The Galley of Arts Tribute is a juried exhibition developed to recognize local artists and most importantly honor the legacy of Dr. Martin Luther King, Jr. The exhibit will feature works by local artists reflecting the 2018 theme, Transforming the Community by Committing to Service, attributed to the Dream and the Dreamer who affirmed, “Everybody can be great because everybody can serve.” Works in the exhibitions may also be a reflection of the life and legacy of Dr. Martin Luther King, Jr. and have pertinence to the themes of Unity, Community, Love, Reconciliation, Social Justice, and Civil Rights. For more information, please visit http://www.mlkknoxville.com/.

On display at the Emporium Center, 100 S. Gay Street, in downtown Knoxville. Exhibition hours are Monday-Friday, 9:00 AM - 5:00 PM. Information: (865) 523-7543 or www.knoxalliance.com.

A reception will take place on Friday, January 5, from 5:00-9:00 PM as part of First Friday activities downtown to which the public is invited to meet the artists and view the artwork.

Works by Jo Marie Brotherton, Renee Mathies, and Cheryl Prose in the display case
Jo Marie Brotherton, Renee Mathies, and Cheryl Prose are all recipients of 2017-2018 Bailey Opportunity Grants.

Jo Marie Brotherton has been passionate about glass her entire life, and the fascination has gotten more intense. The orb is the unspoken visceral shape to which humanity is drawn. Held, it allows the viewer to have ownership in the exploration of visual absorption. Her work forces the viewer to engage in rotating it to explore. In creating a finished piece, there is a peace coupled with challenged anxiety when she is sitting at the flame. Both have drawn her into pushing herself and her work. For more information, visit http://www.jomariebrotherton.com.

Renee Mathies is a glass and metal artist that loves to play with fire. She is a member of the International Society of Glass Beadmakers, the Smoky Mountain Firecrackers, and The Creative Hands Street Team which is an East Tennessee group of Etsy sellers. She loves to sell her work in person at shows because it gives her a chance to show people the craft and work it requires. Her media include handmade glass beads, acid etched copper, forged copper, and bronze and sterling jewelry components. Every piece comes out unique. Teaching glass beadmaking (lampworking) and metalsmithing have become her passion. For more information, visit http://www.outofthefiredesigns.com/.

Cheryl Prose will display encaustic wall art, handmade books, artist jewelry featuring wire work, lampwork beads, and mixed metal. Prose is a bookbinder and mixed media artist. She is a co-founder and coordinator of the Knoxville Book Arts Guild. She frequently serves as a studio and instructor’s assistant at Penland School of Arts and Crafts, Arrowmont School of Arts and Crafts, and John C. Campbell Folk School. Her work has shown in numerous group exhibits in Knoxville and Lenoir City as well as Shelby, NC and Asheville, NC. Her work is published in Eco Books: Inventive Projects from the Recycling Bin by Lark Press. She has worked as an assistant binder at The Gilded Leaf Bindery: Fine Bookbinding and Restoration in Maryville since 2013. For more information, visit www.gildedleafbindery.com.

On display at the Emporium Center, 100 S. Gay Street, in downtown Knoxville. Exhibition hours are Monday-Friday, 9:00 AM - 5:00 PM. Information: (865) 523-7543 or www.knoxalliance.com.

A reception will take place on Friday, January 5, from 5:00-9:00 PM as part of First Friday activities downtown to which the public is invited to meet the artists and view the artwork.

Sam Stapleton: Stilled Life on the North Wall
As the son of a 40-year employee of Eastman Kodak, photography seemed ordained to be a meaningful part of Sam Stapleton’s life, if not his livelihood. His first camera, a Kodak Brownie, was purchased with money earned at Eastman, and among his first images were photos of the smoke plume rising from the 1960 Eastman plant explosion that killed 16 employees including one of his neighbors. Through the years, his dedication to the varying pursuits of rock concert photography, color landscape imagery, magazine collaboration with his freelance writer/wife, Patricia Hudson, as well as black and white portraiture arising from the births of two daughters, have led inexorably to the maturation of his photographic vision. “I now see myself engaged in a continual search for beauty in the hidden recesses of nature,” says Sam Stapleton.

Artist statement: My series, Stilled Life, juxtaposes the ephemeral beauty of flowers with the concept of eternal beauty. By freezing the flowers that I photograph, the otherwise transient splendor of the blooms is placed in stasis, potentially forever. The resultant ice texture is meant to have a profound effect upon the viewer, adding an unexpected dimension that commands closer inspection of the imagery. In essence, one’s attention is to be momentarily frozen. I created these photographs to serve as a reminder that although nature only permits the blossoms to flourish for a few hours to a few days, their beauty is something that resonates in our souls forever. For more information, please visit http://samstapletonphotography.com.

On display at the Emporium Center, 100 S. Gay Street, in downtown Knoxville. Exhibition hours are Monday-Friday, 9:00 AM - 5:00 PM. Information: (865) 523-7543 or www.knoxalliance.com.

A reception will take place on Friday, January 5, from 5:00-9:00 PM as part of First Friday activities downtown to which the public is invited to meet the artists and view the artwork.

Carol Robin King: Jewelry For The Walls in the Atrium
Tennessee artist Carol Robin King was born and raised in Argentina as a daughter of foreign missionaries. She remembers loving drawing as early as the age of three. While in Argentina, she attended a professional art school for several years and continues learning through workshops, books and videos. King has had opportunities to paint commissions and create illustrations as well as teach art classes for children and teens in a private school setting. King works in various mediums including watercolor, acrylics, and pastel and she recently began working in bas relief 3D art with drywall. She currently resides in Kodak.

“Quiet times, pleasant memories and peaceful places are what I strive to capture in my art,” says Carol Robin King. “When I choose a subject, my main goal is to bring the viewer a moment’s peace in a hectic day or a pleasant memory to lift their spirit. I am inspired by people in everyday life and the beauty of nature. I often paint children in my works to help bring the viewer back to those simple times when life was new, fresh and less complicated. I’m driven to paint; it is an expression of my very being, and my hope is that somehow that expression will touch another person.” For more information, please visit http://www.CarolRobinKing.com.

On display at the Emporium Center, 100 S. Gay Street, in downtown Knoxville. Exhibition hours are Monday-Friday, 9:00 AM - 5:00 PM. Information: (865) 523-7543 or www.knoxalliance.com.

Dogwood Arts and the Camera Club of Oak Ridge present the best images of the 69th Annual Photographic Salon, featuring 40 ribbon-winning prints and a series of projected digital and student entries.

Dogwood Arts provides artists the opportunities to showcase their talents at First Friday events and month long exhibitions. This exceptional photography exhibit is showcased at the Dogwood Arts Gallery. Traditional gallery hours are Monday-Friday, 9am-5pm. First Friday hours are 5:30pm-8:30pm.

The Camera Club’s photographs depict landscapes, urbanscapes, architecture, inanimate objects, creative vision and creative processing. Each photographer shares their unique perspective, selecting scenes from the natural and urban world or setting up unique shots in their studios.

Dogwood Arts, 123 W. Jackson Ave, Knoxville, TN 37902. Information: 865-637-4561, www.dogwoodarts.com

View the calendar of ongoing events at http://ijams.org/events/

Ijams Nature Center, 2915 Island Home Ave, Knoxville, TN 37920. Hours: Grounds and trails open during daylight hours. Call for Visitor Center hours. Information: 865-577-4717, www.ijams.org

Join us for the opening reception for Nature and Neon, a national juried exhibition organized by Arrowmont School of Arts and Crafts. This exhibition is open to the public. Awards will be announced during the reception on Friday, January 12th from 6 – 8pm. All are welcome.

This year’s theme invited submissions that explore juxtapositions between the natural and the artificial worlds. Arrowmont itself is geographically located where the natural and the constructed worlds converge, and is also an environment that fosters artistic creation and education. Chosen by juror, Garth Johnson, the works selected for the exhibition consider what is natural, what is unnatural, and how the intersection of both may attempt to realize its own disparate beauty. Parts whimsical and sobering, Nature and Neon offers introspection into what these artists observe about our contemporary relationship to the landscape.

Garth Johnson, curator of ceramics at the ASU Art Museum in Tempe, Arizona, selected 47 works created by 46 artists, from 189 submissions for consideration. The final selection of artists include works spanning all media, with a wide variety of approaches to the exhibition’s theme. Awards will be announced during the reception on Friday, January 12th from 6 – 8pm.

Participating artists:
John Allen, Jess Benjamin, Tracey Bullington, Caroline Byrne, Chloe Darke, Audry Deal-McEver, Virginia Derryberry, Carrie Dickason, Magdolene Dykstra, Alicia Eggert, Sean Erwin, Heather Freeman, Meaghan Gates, Jon Geiger, Dana Lynn Harper, Helen Hawley, Richard Hricko, Mary Johnson, Stephanie Jonsson, Elliott Kayser, Liz Langyher, Michele Lasker, William Lenard, Mimi Logothetis, Andy Lowrie, Kenneth MacBain, Gregory Martin, Matthew Mauk, Ashlee Mays, Marty McConnaughey, Jessye McDowell, Matt Mitros, Dana Moody, Natalie Petrosky, Tongji Qian, Ted Ross, Victoria Shaheen, Rebecca Siemering, Ralston Fox Smith, Shannon Sullivan, Logan Szymanowski, Byron Tenesaca, Ruby Troup, Tali Weinberg, and Charles Wisseman

Arrowmont School of Arts and Crafts, 556 Parkway, Gatlinburg, TN 37738. Gallery hours are Monday – Friday 9:00 am – 5:00 pm and Saturday 10:00 am – 4:00 pm. Information: 865-436-5860, www.arrowmont.org

Opening reception January 26 from 6 to 7:30 p.m.; artists’ talks at 6:30 p.m.

Coral Grace Turner: New Work
This series utilizes remnants of fabric that Turner designed and printed over ten years ago. She was introduced to a process of hand quilting called English paper piecing earlier this year and found it to be a great way to reimagine her fabric pieces. The fabrics were designed using a grid for registration, layered with random patterning and variations in color to create movement. Similarly, quilting starts with a standard shape that is repeated in a grid-like structure, while the pattern on each shape is random. She created movement within each piece by matching lines and colors at the seams where one piece of fabric is joined with another.

Turner grew up in a family that had a great appreciation for the arts. Her mother taught art classes, one grandmother was a textile designer by trade and the other was a knitter and sewer. At the Rhode Island School of Design, Turner made three- dimensional work using sewing and knitting, which led to installations and finally site-specific sound installations when she graduated with a BFA in Sculpture in 1996. She took a screen printing on fabric class at Arrowmont in 2001 with Clare Verstegen, and the following year continued working with Verstegen in the MFA program in Fibers at Arizona State University, when most of the fabrics used in this work were printed.

Marilyn Avery Turner: A Tale of Two Series
The images and the limited palette came first, and in the process of making the work the idea of blood types and bloodlines emerged. In all of humanity there are only four basic blood types; we are incredibly similar at our core. In our divisive world, where people and cultures choose to concentrate on our differences, which in turn are used to justify any number of prejudices and crimes against humanity, it would be helpful to take this fundamental fact into account.

The other series has a monochromatic palette. In the work that has figurative elements the subject led to that choice, whereas in the non-figurative work there was a conscious decision to use only variations of a particular color. In both series, the figurative elements are based on Pre-Columbian designs and images that she has worked with for the past fifteen years.

Originally from New York City, Turner received her BFA from The Rhode Island School of Design in 1966. She has been concentrating on printmaking, specifically monoprinting and screenprinting, for the last 25 years, combining painting and collage, her main former mediums. She has taken classes since 1994 in the University of Tennessee Printmaking Department. She has been a member of The Art Market Gallery since its inception in 1982, exhibits her work in solo and group shows, and participates in juried exhibitions throughout the United States. www.marilynaveryturner.com

Tennessee Valley Unitarian Universalist Church, 2931 Kingston Pike, Knoxville, TN 37919. Gallery hours: M-Th 10-5, Su 10-1. Information: 865-523-4176, www.tvuuc.org

“What does it mean?” I haven’t taken a poll, but it might be interesting to ask how often an artist working in the Abstract hears that particular question. It might be more enlightening to ask if that question becomes challenging to hear over time – not because it’s necessarily a bad question, but because most people ask the wrong person. It’s not a question for the artist: It’s a question for you.

Gretchen Adreon’s exhibit at our Market Square restaurant is an opportunity for you to pose that question to yourself over and over again. And that’s just how Adreon likes it. When a work is complete, she says, her hope is to “leave an open space and the viewer will be able to add their own feelings and connect with the piece to complete the process.” And of course, that means that there are many answers to the question of what’s all about. “From the very beginning I have had people telling me their feelings and impressions of my work. I LOVE that – that’s when the whole process comes full circle to me. When someone is engaged in the work, I feel I have succeeded. Sometimes one viewer sees what another cannot see at all but sees or, even better, feels something totally different. “

Adreon’s art begins as an emotional expression that, through any number of implements and materials -from trowels to sandpaper, and more- remains an open and emotional experience to share with the people who see it. Although this may leave the definition of her imagery in the eyes of others, Adreon is more than comfortable with that process: “My emotions went to abstractions rather than concrete imagery. I have never regretted taking that direction, however many, many people see images, figures and, yes, landscapes as well.”

Gretchen Adreon will be on view at the Market Square Tomato Head from December 4th through January 7th, 2018. She will then exhibit with the West Knoxville Gallery Tomato Head from January 9th through February 5th, 2018.

Tomato Head, 12 Market Square (865-637-4067) and 7240 Kingston Pike, Suite 172 (865-584-1075), in Knoxville. http://thetomatohead.com