Calendar of Events

Are you creating a jaw dropping costume this year? Enter the Ghoulishly Goodwill Costume contest and show off your ultimate Halloween costume! Submit your entry by 8am Friday, November 3rd and win tickets to the Knoxville Zoo. Enter the contest by doing one of the following:
• Post to the Goodwill Industries-Knoxville, Inc. Facebook page at www.facebook.com/gwiktn or
• Post the picture on Twitter and tag @GWIKTN or
• Post the picture on Instagram and tag @goodwillknoxville or
• E-mail the image to marketingteam@gwiktn.org.

Don’t forget to include a picture, description and which parts came from Goodwill. Check out www.goodwillknoxville.org/halloween for more information on the contest!

BOO! at the Zoo presented by U.S. Cellular® is Knoxville’s largest Halloween event featuring 12 nights of safe and not-too-scary Halloween fun perfect for preschool and elementary-aged children. A Halloween tradition for 31 years, BOO! at the Zoo is a family event featuring trick-or-treating along the BOO! Trail, where little trick-or-treaters can fill their bag with goodies as they make their way through the zoo. Each night of BOO! at the Zoo will have a variety of entertainment.

New This Year: Annual Passholder Night! On Thursday, October 12th, only annual passholders will have the chance to experience BOO! at the Zoo before anyone else!

DETAILS
October 12 – 15, 2017
October 19 – 22, 1017
October 26 – 29, 2017

5:30 p.m. – 8:00 p.m. each evening

$9 per person, Children under 4 admitted free, Free parking
$2 off for Zoo Knoxville members and U.S. Cellular customers

Zoo Knoxville, 3500 Knoxville Zoo Drive, Knoxville, TN 37914. Open every day except Christmas. Information: 865-637-5331, www.zooknoxville.org

Read and discuss Emily St. John Mandel's bestselling novel Station Eleven with the entire community

When a community reads a book together, neighbors are inspired to be more empathetic, more aware, and more engaged. We are pleased to partner with more than 20 community agenices to share Station Eleven by Emily St. John Mandel with you. Join us for dozens of programs that explore Station Eleven and its themes.

Take the Station Eleven creative response challenge. Read the book, imagine you were there, and respond with a creation of your own—be it a poem, a painting or a video. You could win a prize, but you're guaranteed the satisfaction of trying.

Most events are free and open to the public, but a few require reservations (link is external). http://www.knoxlib.org/calendar-programs/programs-and-partnerships/big-read-2017

The work of Asheville artist, Kathryn Gunn is a vibrant collection of color, light and reflection that comes from an intuitive place where music and mindfulness mingle with canvas, acrylic, and curiosity. Gunn only recently started painting – in fact, until last year, she thought that she couldn’t: “I have always been a lover of art and when I was younger I pursued a career in Art history, but never believed that I could be an artist.”

But when she salvaged the remains of a children’s tempura paint set, Gunn’s artistic interest started her on a path that would lead to art shows and juried events across the southeast even though the beginning of the journey was a very, very private affair that included only one set of eyes: her own.

“I took [the children’s’ paints] home with me. I just loved mixing colors. I would hide in my basement and paint on cardboard so I could throw them away as soon as I was finished and no one would ever look at anything I did.” And even when a friend lured her to a live model drawing event with a promise that the event had “really chill music and you get to drink wine,” Gunn only agreed to attend when she was assured that no one would actually see what she had drawn. The event proved to be much more than a pleasant afternoon of wine and song because when her drawing turned out to actually look like the model Gunn was moved to continue to explore her artistic side. Her subsequent experiments with drawing led to more painting and more work with color and form.

Gunn’s approach remains intuitive – she adds color based on a sense of what’s missing and remains open in terms of style and subject style. “I’m not sure that I’ve found my niche, and maybe never will as I find the next style and go ‘I want to try that out!’”

But her work is certainly informed by nature – in landscapes and even in her abstract and “Flow” works, the colors might leap from the flowers and vistas of the Appalachian Mountains. But more than that, Gunn’s work reflects a peaceful beauty, one that’s attune to her creative process. When she works, Gunn is absorbed by the present, because, she says, “When I’m painting, I lose myself in the work, lose track of time, forget to eat, completely absorbed, I don’t even know that I am sore from standing for hours and hours until I am finished. There is really no separation between me and the painting.”

You can get lost in Gunn’s paintings, too at the downtown Market Square Tomato Head through October 1st. She will then hang at the West Knoxville Tomato Head from October 3rd through November 6th.

Tomato Head, 12 Market Square (865-637-4067) and 7240 Kingston Pike, Suite 172 (865-584-1075), in Knoxville. http://thetomatohead.com

For thousands of years Northwest Coast Indians including the Coast Salish, Haida, Kwakwa̱ka̱’wakw, Makah, Nuu-chah-nulth, and Tlingit peoples represented in this exhibition, have made art expressing their cultural norms and values with precision, clarity, and artistic exuberance. Using indigenous and trade materials obtained in their homes along the coast of Oregon and north to Alaska, Northwest coast peoples mark elaborate ceremonial life, social rank, and prestige through their objects and art.

This exhibition explores Northwest Coast art through over 60 objects made by known and unknown artists, representing traditional and modern forms of cultural expression. From model totem poles and bentwood boxes, to spoons, prints, and silver bracelets, these objects were created for different purposes––utilitarian, decorative, and ceremonial. What all of them share in common is the desire to preserve and perpetuate Northwest Coast cultural heritage and community.

McClung Museum of Natural History and Culture, 1327 Circle Park Dr on the UT campus, Knoxville, TN 37996. Hours: Monday-Saturday, 9AM-5PM, Sunday, 1-5PM. Information: 865-974-2144, http://mcclungmuseum.utk.edu

Drawn from the extensive collection of the Reading Public Museum, this vibrant exhibition examines the key role played by artists’ colonies in the development of American Impressionism. It features more than 50 paintings and works on paper by Frank W. Benson, Mary Cassatt, William Merritt Chase, Childe Hassam, Ernest Lawson, William Paxton, Robert Reid, Chauncey Ryder, John Twachtman, Julian Alden Weir, and many others.

Many of the nationally prominent artists represented in this exhibition have ties to East Tennessee and the KMA’s ongoing display Higher Ground: A Century of the Visual Arts in East Tennessee. More than a dozen participated in large art exhibitions held in conjunction with Knoxville’s 1910 and 1911 Appalachian Expositions, and the 1913 National Conservation Exposition. Their paintings appeared alongside those of several East Tennessee artists represented in Higher Ground, such as Catherine Wiley, Lloyd Branson, Adelia Lutz, Charles Krutch, and Hugh Tyler, to name a few. These sprawling and ambitious exhibitions were designed with the goal of bringing the “best contemporary art in America” to people of the region. The displays highlighted art currents of the day, and allowed East Tennessee artists to demonstrate their proficiency in a national context.

Among other ties, John F. Carlson served as a juror for the 1913 Expo art exhibition along with Knoxville impressionist painter Catherine Wiley. Robert Reid was one of Wiley’s art instructors during her studies in New York, and Mary Cassatt’s intimate domestic scenes inspired Wiley’s career-long interest in depicting women and children. As a result of these and other connections, this exhibition offers a broader national lens through which viewers can assess the work of Wiley, Branson, Lutz, Krutch, Tyler and other Higher Ground artists who also experimented with Impressionism.

Organized by the Reading Public Museum, Pennsylvania. The museum is holding an opening reception Thursday, August 10 from 5:30 to 7:30pm. This event is free and open to the public.

Knoxville Museum of Art, 1050 World's Fair Park Dr, Knoxville, TN 37916. Hours: Tuesday-Saturday, 10AM-5PM, Sunday, 1-5PM. Information: 865-525-6101, www.knoxart.org

Stories in Stitches: Quilts from the East Tennessee Historical Society’s Permanent Collection

East Tennessee families treasure quilts made by their ancestors. Besides warming and decorating the bed, quilts also serve as reminders of important events—births, weddings, service to our country, the death of loved ones. Often, these memories are preserved in notes attached to the quilts or through stories handed down to younger generations. Sometimes notes are lost and memories fade, leaving families with a "mystery quilt." Did Grandma Jones or Granny Smith make this quilt? Or, was it Aunt Jane? When did she make it? Why did she choose this pattern? What caused this stain or that tear? These are some of the mysteries that quilt historians try to address through genealogical research and technical analysis.

From histories handed down to mysteries that remain, the new feature exhibition at the Museum of East Tennessee History provides visitors the opportunity to learn the "stories in stitches" from the quilts that have been entrusted to the East Tennessee Historical Society. Stories in Stitches features more than two dozen quilts with dates ranging from c. 1820 to 2001. The exhibition will be on display in the Rogers-Claussen Feature Gallery of the East Tennessee History Center from August 7, 2017 - January 2, 2018. Stories in Stitches is dedicated to Linda Claussen and Ginny Rogers for their years of service and support of the East Tennessee Historical Society’s quilt collection.

When the East Tennessee Historical Society was founded in 1834, early collection efforts focused on books and manuscripts. In more recent decades, objects began to be added, and the idea of displaying them in a museum grew. The ETHS Permanent Collection acquired its first quilt in 1992, one year before the Museum of East Tennessee History opened on the first floor of the renovated Customs House. Now a part of the expanded East Tennessee History Center, the museum and its collection includes more than 100 quilts. The ETHS Permanent Collection focuses on quilts made or used in one of East Tennessee’s 35 counties. An acquisitions committee reviews potential additions, evaluating the quilt’s history, condition, and importance to the collection as a whole. Some quilts are displayed in the museum’s signature exhibition, Voices of the Land: The People of East Tennessee. Others are cared for in climate-controlled storage and are brought out for special events or exhibitions like this one. The exhibition highlights more than two dozen quilts in a variety of fabrics, and patterns, and highlights some of the families who have made and cherished them. Patterns include everything from Rose of Sharon and “Knoxville Crazy Quilt” to a Civil War memory quilt and one pieced together out of clothing labels. The quilters range from John Sevier’s wife Bonny Kate to the Smoky Mountain Quilters of Tennessee.

East Tennessee Historical Society, 601 S. Gay Street, Knoxville, TN 37902. Museum hours: M-F 9-4, Sa 10-4, Su 1-5. Information: 865-215-8824, www.easttnhistory.org

Art in Public Places Knoxville (AIPPK), now in its 10th year, is a featured presentation of Dogwood Arts. In partnership with the City of Knoxville, Art in Public Places Knoxville is a juried exhibition of large-scale sculptures created by exceptional local, regional and national artists. The 2017-2018 Exhibition will feature up to twenty sculptures in downtown Knoxville, the McGhee Tyson Airport, and Oak Ridge as juried by Knoxville-based sculpture artist John Douglas Powers.

Dogwood Arts, 123 W. Jackson Ave, Knoxville, TN 37902. Information: 865-637-4561, www.dogwoodarts.com

With the love of art and entertainment it's no wonder that a bottle or two of wine would get involved to create Wine and Canvas! Awesome local artists, great customer service and beautiful surroundings make for an amazing experience that you don't find anywhere else. Sipping your favorite wine or cocktail, letting your inner artist out to create a masterpiece and maybe breaking into song throughout the night is what we have planned for you! Leave your cares at the door and dive in to the paint party! Best part - you take your artwork with you and leave the clean up behind! Local artists in each city inspire and Instruct Wine and Canvas customers step-by-step to create their finished masterpiece. Each location hosts many events monthly with a different featured painting each night. With our step-by-step instruction method customers without a stroke of painting experience are at ease.

Upcoming events:

$35 per session (unless otherwise noted). Wine & Canvas: Knoxville, TN, 865-356-9179, http://www.wineandcanvas.com/knoxville-tn.html

Sundays at 8:00 PM. 17th-18th Century Social Dancing with live music. Beginners welcome, no partner is required. Also Rapper Sword dance group meets most Sundays at 7:00 PM. Free. Call 865-546-8442.

At the Laurel Theater, 1538 Laurel Ave, Knoxville, TN 37916. For information: 865-522-5851, www.jubileearts.org.

This 30-minute documentary, filmed and produced by Jupiter Entertainment, begins in 2009 as Richard Jolley began work on what would become "Cycle of Life, Within the Power of Dreams and the Wonder of Infinity".

Every Saturday & Sunday at 3 PM.

Knoxville Museum of Art, 1050 World's Fair Park Dr, Knoxville, TN 37916. Hours: Tuesday-Saturday, 10AM-5PM, Sunday, 1-5PM. Information: 865-525-6101, www.knoxart.org